Copyright commotions 101: Free event at LSE next month

Posted by Becky in Conferences, Copyright, Intellectual Property, Public Domain, Release The Music at February 15th, 2008

When the government mailed half the nation’s bank details to the darknet at the end of last year, it looked like 2008 was going to be the year privacy issues hit the headlines. But, when it comes to digital rights stories, privacy has been seeing stiff competition from that old foe of the digital society: regressive intellectual property policy.

At the beginning of this week, The Times leaked a DCMS document that promised tough action on illicit filesharers via a disproportionate and ineffective “3 strikes and you’re out” model of disconnection.

Then yesterday, over in Brussels, Internal Market Commissioner Charlie McCreevy resurrected the zombie of copyright term extension in sound recordings. McCreevy said he “had not seen a convincing reason” why term should not be extended from 50 to 95 years. Must we therefore conclude that he has not read the research commissioned by his own Directorate that shows that term extension makes no sense?

The UK has already come out against copyright term extension. To find out why copyright term extension is a non-starter for the UK’s creative economy, download the Open Rights Group briefing pack.

If you’re feeling the need to brush up on all of this, then you’re in luck. The Oxford Internet Institute, encouraged by ORG Advisory Council member Dr Ian Brown, and in partnership with the London School of Economics, have just announced an afternoon of talks entitled “Musicians, fans and online copyright”. Here’s the blurb:

Is home downloading killing music? Should Internet Service Providers monitor customers to try and spot copyright infringement, and disconnect downloaders? Do musicians need new laws to benefit from the opportunities of the internet? Join us to debate these questions and more with leading copyright thinkers from the music world, government, consumer groups and universities.

It’s happening on Wednesday, 19 March, from 1400-1730 at LSE’s Old Theatre on Houghton Street. I’ll be speaking, along with confirmed speakers John Kennedy (IFPI), Paul Sanders (Playlouder), Lilian Edwards (Southampton University), Rufus Pollock (Cambridge University) and Michelle Childs (Knowledge Ecology International). Entry is free, but you’ll need to register here if you want to attend.

4 Responses to “Copyright commotions 101: Free event at LSE next month”

  1. Alison Wheeler Says:

    “McCreevy said he “had not seen a convincing reason” why the term should not be extended from 50 to 95 years.”

    hmmmn. I haven’t “seen a convincing reason why I shouldn’t be given all the money in the world” (or “why the term should not be reduced to 10 years from 50years”) either; doesn’t mean that his lack of ‘convincing’ reason automatically requires the opposite presumption …

  2. The Musings of Harry » Blog Archive » More term extension nonsense Says:

    [...] McCreevy, the EU’s Internal Market Commissioner, has announced that he will push for the commission to extend the term of copyright afforded to musical [...]

  3. The Open Rights Group : Blog Archive » Fighting copyright term extension: the Home Front Says:

    [...] Commissioner Charlie McCreevy may have surprised us with his rogue call for copyright term extension from Brussels last week, but there are battles to be fought closer to home, [...]

  4. Displacement of Concepts » Blog Archive » The Return of the Copyright Extension Says:

    [...] their February 21st (how did I miss this!!) post: European Commissioner Charlie McCreevy may have surprised us with his rogue call for copyright term extension from Brussels last week, but there are battles to be fought closer to home, [...]

Leave a Reply

Contributors to the Open Rights Group wiki and blog should note their input forms part of a collaborative resource that is Creative Commons (by-sa 2.5) licensed. We hope these resources will be reused and remixed in the public interest. You do not need to seek permission before you re-use our works, although we do require that users attribute Open Rights Group as their source, and license the resulting work under the same terms.